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Scissor section

Kenneth Frampton was confronted with high land costs and strict planning restrictions. The height and depth of the block had to match the outline of the Edwardian buildings that once stood on the same site. To observe these restrictions and still fit 48 apartments in the block, he used the then practically new scissor section in which each up-going flat interlocks with its down-going neighbour. This reduces the number of corridors required – only five service all eight floors – and allows for a more compact construction without compromising the size of the apartments.

Le Corbusier's maisonettes

The scissor section originates from the London County Council's (LCC) Architects' Department that, directed by David Gregory-Jones, had been working on ideas for compact maisonettes since the mid-1950s. The scissor section builds upon the idea of "overlapping" maisonettes pioneered by Le Corbusier in his famous Unité d'Habitation in Marseille, but interlocks the apartments on a diagonal. This makes it possible to place all living rooms on one side of the block and all bedrooms on the other, thus reducing crossover noise from living to sleeping areas. The scissor section also maximises light and natural ventilation in each flat and increases the feeling of spaciousness.

Westside scissor section

The first built application of a scissor section was, allegedly, by husband-and-wife architects Colin Jones and Jennifer Tudor-Hart. They designed Westside, a private development in London's Muswell Hill. It was completed in 1962. Jones worked at the LCC's Architects' Department, and the scissor section was also tried out in several council housing schemes across the capital in the 1960s and early 1970s. Examples are the Tidey Street scheme in Poplar and some blocks on the Pepys Estate in Deptford (redeveloped in 2005). The concept was first published in The Architects' Journal in 1962, after Corringham had already been designed, but it was not widely adopted.

Frampton may have heard about the scissor section via Douglas Stephen's wife, Margaret Dent, who had worked at the LCC's Architects' Department in the 1950s. He was also intrigued by a constructivist project made for the Russian Organisation of Contemporary Architects in 1927. The design, by architects Ivanov and Lavinsky, featured a central "street" with interlocking apartments. Frampton saw it as a "metaphor of the woven-togetherness of a communal dwelling". The Russian plan was never built, but Frampton considered Le Corbusier's Unité d'Habitation its belated realisation. At Corringham, he combined this idea for a "communal dwelling" with the LCC's new scissor section.